3rd May 2026 - 7th June 2026
ss space space
Acrylic, compressed charcoal, paper pulp,
resin, plaster, epoxy resin, aluminum bars,
and wood panel
103.5cm x 151.5cm x 16cm
3rd May 2026 - 7th June 2026
ss space space
sik-tsân
Paper pulp, resin, plaster, and aluminum
Dimension variable
2026
3rd May 2026 - 7th June 2026
ss space space
bū-sik
Acrylic, compressed charcoal, paper pulp,
resin, rice ears, plaster, epoxy resin, wood panel,
fabric fiber, and pencil on paper
(136cm x 170cm x 2.5cm ) x 3 pieces
3rd May 2026 - 7th June 2026
ss space space
liam liam
Acrylic, compressed charcoal, paper pulp,
resin, plaster, epoxy resin, aluminum bars,
and wood panel
62cm x 119.5cm x 16cm
2026
3rd May 2026 - 7th June 2026
ss space space
Acrylic, compressed charcoal, paper pulp,
resin, plaster, epoxy resin, aluminum bars,
and wood panel
100cm x 163cm x 16cm
2025-2026
Born 1991 | Taipei, Taiwan
Ban-Yuan Chang’s practice examines how everyday perception is produced, mediated, and destabilized within the continuous flow of contemporary information and images. Chang focuses on how daily visual fragments—urban landscapes, social media feeds, circulated photographs, and intimate exchanges—shape our understanding of bodily form and lived experience.
Working across painting, sculptural installation, and text-based works, Chang reorganizes and compresses these visual and emotional elements to evoke the viscosity, delay, and weightlessness that emerge from excessive accumulation of information. Rather than responding directly to technology as a tool, Chang is interested in the subtle transformation of sensibility: how perception becomes fragmented yet remains faintly connected, how experience hovers between immediacy and abstraction.
Chang’s works create perceptual spaces where viewers encounter this suspended condition—an atmosphere in which the body appears both present and displaced, drifting within an environment saturated by images yet searching for new modes of attention.
張般源的創作主要關注人在當代資訊與影像洪流中，日常感知如何在此環境下被形塑與脫鉤。他試圖捕捉日常中的生活影像、景觀、社群平台與情感交流對身體形貌認知與生活感知的塑造，並透過跨媒材將這些元素進行重組與壓縮，呈現資訊過度堆疊下的黏稠、延遲與失重感。張般源的作品並非單純回應技術媒介，而是對人在當代生活中，那種趨近碎片卻又隱隱相連的感性經驗，其浮動與出神的狀態留下開放的感知空間。
2024 Royal College of Art PhD in Arts & Humanities Research (practice-led)
2017 Subsitute military service at New Taipei City Fire Department Ganyuan Squad
2016 Chelsea College of Arts MA Fine Art
2026 態: Alluvium, ss space space, Taipei, Taiwan
2024 圖 t ⤵u volume 03, Yao space, Taichung, Taiwan
2024 圖 t__u volume 02, 182artspace, Tainan, Taiwan
2023 圖 t u, Helios Gallery, Taipei, Taiwan
2019 The Self, Humans and Machines with their Residues, Taipei Fine Art Museum, Taipei, Taiwan
2017 Meditation From the Empire Legacy, Made in Taiwan zone Young Artist Award,Taipei Art Fair , World Trade Centre, Taipei, Taiwan
Group show
2025 Can We All Fit In，Kaohsiung Museum of Fine Art， Kaohsiung，Taiwan
2024 The Gravity of Whisper，182 artspace，Tainan，Taiwan
2024 The Body Boundary of Contemporary Society, Wan Gallery, One Art Taipei, Hotel Metropolitan Premier Taipei, Taipei, Taiwan
2023 Lefties Do it Rights，Sinpin pier Art Space, Kaohsiung,Taiwan
2023 Repetition and Difference: Posthuman．Diverse Species, National Yang Ming Chiao Tung University Art Centre, Hsinchu, Taiwan
2023 HEMLINGBY3, Taipei Artist Village/Carp Gallery, Taipei/Taichung, Taiwan
2022 Roaming in time, Flame Taipei ,Waley Art, Taipei, Taiwan
2022 HEMLINGBY2, Carp Gallery, Taichung, Taiwan
2022 Body's Body, Changhua County Art Museum, Changhua,Taiwan
2022 Multiple Copies - Readable Multiplex Landscape, Tainan Art Museum, Tainan, Taiwan
2021 Enclave, Asparagus Studio, Taipei, Taiwan
2019 RCA The School of Arts and Humanities Work in Progress Show, Royal College of Art, London, United Kingdom
2018 Human Condition, Kuo Mu Sheng Foundation,Taipei,Taiwan
2016 Future Island START ART FAIR Project, Saatchi Gallery,London, United Kingdom
2016 Chelsea Summer Show, Chelsea College of Arts, London, United Kingdom
Huang, Ting-Ju, 2024, ‘ 墜落的鴿子踏上X征途 《張般源個展 圖 Volume02》 ‘, Taishin Artalks (online)
Chang, Ban-Yuan, 'Enclave', in 'Multiple Copies - Readable Multiplex Landscape', ed. by Pei-Hsin Chiang (Tainan, Tainan Art Museum, 2022）ISBN: 978-986-5487-80-5
Chang, Ban-Yuan, 'The Self, Humans and Machines with Their Residues: A brief discussion on our position in today's world and theses three inseparable and entangled bounds' (Taipei, Taipei Fine Art Museum, 2019)。ISBN: 978-986-5412-21-0
隨意聊聊, 隨藝聊聊 EP17 | 靠X唷！你以為你在數位手術台上喔！快加入我們迷霧版圖中寫生的行列吧！｜來賓: 藝術家 張般源 [Podcast] 25th April 2024
觀弱音, EP126 『倫敦藝術沒有地圖』 藝術家張般源 [Podcast] 14th September 2023
Artistes Manifestes, Adélie Le Guen, Chang, Ban-Yuan, 'Entretien avec Ban-Yuan Chang : « Humanism in posthuman subject »'[online] 27th March 2020
Tainan Art Museum, Following Artist #Chang Ban-yuan to Explore the Exhibition |Multiple Copies - Readable Multiplex Landscape [online video]
2025 Regular Art Grants, Department of Cultural Affairs,Taipei City Government
2023 Regular Art Grants, Department of Cultural Affairs,Taipei City Government
2022 Regular Art Grants, National Culture and Arts Foundation
2022Regular Art Grants, Department of Cultural Affairs, Taipei City Government
2018 Selected Artist, Taipei Fine Arts Museum (TFAM) Solo Exhibition Program, Taipei, Taiwan
2017 Made in Taiwan (MIT) Young Artist Discovery, Ministry of Culture, Taiwan (Exhibited at Art Taipei 2017)
Last Updated 24.10.31
Ban-Yuan Chang 張般源
Born 1991 | Taipei, Taiwan
Ban-Yuan Chang’s practice examines how everyday perception is produced, mediated, and destabilized within the continuous flow of contemporary information and images. Chang focuses on how daily visual fragments—urban landscapes, social media feeds, circulated photographs, and intimate exchanges—shape our understanding of bodily form and lived experience.
Working across painting, sculptural installation, and text-based works, Chang reorganizes and compresses these visual and emotional elements to evoke the viscosity, delay, and weightlessness that emerge from excessive accumulation of information. Rather than responding directly to technology as a tool, Chang is interested in the subtle transformation of sensibility: how perception becomes fragmented yet remains faintly connected, how experience hovers between immediacy and abstraction.
Chang’s works create perceptual spaces where viewers encounter this suspended condition—an atmosphere in which the body appears both present and displaced, drifting within an environment saturated by images yet searching for new modes of attention.
張般源的創作主要關注人在當代資訊與影像洪流中，日常感知如何在此環境下被形塑與脫鉤。他試圖捕捉日常中的生活影像、景觀、社群平台與情感交流對身體形貌認知與生活感知的塑造，並透過跨媒材將這些元素進行重組與壓縮，呈現資訊過度堆疊下的黏稠、延遲與失重感。張般源的作品並非單純回應技術媒介，而是對人在當代生活中，那種趨近碎片卻又隱隱相連的感性經驗，其浮動與出神的狀態留下開放的感知空間。
CV and Contact